Recently, Victoria-based band Spiritbox has been making headlines around the globe, and not just for their unique blend of metal and progressive rock.
As their popularity continues to grow, some have accused the band of being industry plants – a term used to describe artists who are heavily backed by music labels at the onset of their career to create the illusion of an organic rise to fame. Guitarist Mike Stringer finds this notion rather amusing.
Stringer’s recent quip that Spiritbox being an industry plant would probably be “one of the worst investments from any company, ever” highlights the band’s journey.
From humble beginnings to now shaking up the metal scene, Spiritbox has always been about hard work and dedication, not overnight success.
What sets Spiritbox apart is their fresh approach to the genre, combining the intensity of heavy metal with the complexity of progressive rock. Their sound is not just about the music; it’s about creating an immersive, almost cinematic experience for their audience. Beyond their sound, the band has formed a bond with their fans based on authenticity and transparency – attributes far from the typical “industry plant” stereotype.
Their rise to fame may seem sudden to some, but it is a result of years of perseverance, which the band has been vocal about in interviews. They’ve attributed their success to a combination of timing, luck, and consistent effort to perfect their craft. The accusations of being industry plants seem to stem more from their sudden visibility rather than an understanding of their journey.
While Spiritbox continues to take the music industry by storm, it’s important to remember that they are not alone. In the current wave of Canadian music, many artists are gaining global recognition. Canada has recently become a hub for musical talent, with several bands and solo artists breaking through the traditional barriers of the industry.
However, this rise in popularity is not without its challenges. For instance, Canadian soccer fans recently had their spirits dampened as Mexico knocked Canada out of the CONCACAF Nations League semifinals, winning 2-0. Despite the setback, Canadians continue to stand behind their teams and artists, showing the world the unity and resilience embodied in their national motto, “A Mari Usque Ad Mare” (From Sea to Sea).
In conclusion, while it’s not uncommon for the spotlight to draw criticism, the success of Spiritbox and other Canadian artists should be celebrated, not dismissed. Their journey reveals the heart of the Canadian music scene – a blend of talent, passion, and perseverance that continues to captivate audiences worldwide. As for the accusations of being industry plants, it seems that the only planting Spiritbox has done is seeding a new era of Canadian metal music.